[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"collections:research:en":3,"page:statement:en":58},[4,24,43],{"slug":5,"kind":6,"title":7,"tagline":8,"intro":9,"partner":10,"inCatalogue":11,"cover":12,"coverCatalogue":10,"yearStart":10,"yearEnd":10,"artworkCount":18,"availableLocales":19},"mineralis","research","Mineralis","Extraction. Colonization. Reversal.","Minerals are our discreet foundations. In an era of scarcity, it becomes necessary to rethink our relationship to extraction, as we do for the living. Mineralis observes the tension between industrial degradation and crystalline regeneration.",null,false,{"id":13,"file":14,"width":15,"height":16,"alt":17,"caption":10,"credit":10},"3b808665-2c4b-4685-a982-a70d04cf385f","bd1ac35f-47ab-475b-a686-d3c325af0530",1000,760,"Crystals colonizing mining waste tubes",0,[20,21,22,23],"en","fr","es","it",{"slug":25,"kind":6,"title":26,"tagline":27,"intro":28,"partner":10,"inCatalogue":29,"cover":30,"coverCatalogue":35,"yearStart":10,"yearEnd":10,"artworkCount":41,"availableLocales":42},"exotic-exodus","Exotic Exodus","Displacement. Adaptation. Survival.","I approach insects as an invisible connective tissue between worlds. Their forced displacements — under the pressure of global trade and climate mutations — reveal the silent dismantling of our ecosystems.",true,{"id":31,"file":32,"width":33,"height":15,"alt":34,"caption":10,"credit":10},"ea24a791-8ee5-440d-8583-e097b7fbc531","d42967a3-7772-4e59-bdd3-99f5abeb051b",667,"Framed embroidered tapestry with organic climate change motifs in mixed fibers",{"id":36,"file":37,"width":38,"height":39,"alt":40,"caption":10,"credit":10},"a1c568db-a3b1-4dab-b427-db15ff537f30","ccb4d0dc-0908-40b9-9a0c-a3fabcc1b140",720,1024,"Hands embroidering insect motifs on a printed tapestry",11,[20,21,22,23],{"slug":44,"kind":6,"title":45,"tagline":46,"intro":47,"partner":10,"inCatalogue":29,"cover":48,"coverCatalogue":52,"yearStart":10,"yearEnd":10,"artworkCount":56,"availableLocales":57},"landscape-memories","Landscape Memories","Memory. Anthropocene. Erosion.","Landscape is not a border, but a living fabric of stories and identities. In the age of the Anthropocene, where ecosystems fragment and territories transform irreversibly, it becomes urgent to fix a trace before it disappears. LANDSCAPE MEMORIES archives what will soon be nothing more than a vestige.",{"id":49,"file":50,"width":15,"height":33,"alt":51,"caption":10,"credit":10},"19aaa1d8-62fc-4f50-9834-a3d25a3b769a","9fc82d27-de3c-443a-a053-deefbd35b2d2","Gallery view with small tapestry paintings and large blue embroidered landscape",{"id":53,"file":54,"width":38,"height":39,"alt":55,"caption":10,"credit":10},"d8d01a30-835b-47ca-a19e-fd8b17dbcdc5","8b0a5560-5768-42d0-9897-9659b488c5dd","Embroidered landscape fragment set in a white plaster frame",10,[20,21,22,23],{"slug":59,"title":60,"intro":61,"body":62,"images":63,"seoTitle":138,"seoDescription":139,"ogImage":10,"availableLocales":140},"statement","Statement","\u003Cp>I don't describe myself as an ecological artist. I live in tension with these questions; my behavior is far from exemplary. I don't seek to teach or prove. My work is not a statement; it is a space for reflection—a sensitive, sometimes uncomfortable perception of our environment.\u003C\u002Fp>","\u003Cp>My practice is built upon field research conducted as both a scientific and cultural exploration. I refuse the narrow, academic visions that seek to box my practice into separate categories. During my residencies in Mexico, Asia, or Europe, I work alongside local artisans to collect the memory of a site: odors, pigments, and botanical fragments. These exchanges are essential: they allow for a dialogue between ancestral savoir-faire and contemporary research. I observe rocks carved by wind and mineral deposits to extract a vocabulary of erosion.\u003C\u002Fp>\n\u003Cp>Through the study of traces and vestiges, I explore the beauty of a territory's decline. Rather than illustrating environmental crises directly, I seek to create spaces where wonder and disquiet coexist, probing the tensions of our contemporary condition. I am deeply grateful to these artisans and the institutions whose support makes this work possible.\u003C\u002Fp>\n\u003Cp>I operate at the intersection of manual craft and technological extension. While my process remains deeply physical—collecting, dyeing, weaving—new tools allow me to translate these organic rhythms into sculpture. Technology allows me to innovate or restore lost forms, resonating with the micro-structures of life. My installations are immersive constellations where material retains the memory of a collective gesture. It is not about nostalgia. It is about attention. To what holds on. To what remains.\u003C\u002Fp>",[64,69,74,79,85,90,95,101,106,111,116,120,124,129,133],{"id":65,"file":66,"width":33,"height":15,"alt":67,"caption":68,"credit":10},"f5bbd190-f955-4bc0-9490-a2a5dbdad6a0","fba66f9b-be32-4332-9887-87d2c5f7faa1","Coco Brun, textile art, Mexico residency, eco-art, luxury waste recycling","Process finishing",{"id":70,"file":71,"width":15,"height":33,"alt":72,"caption":73,"credit":10},"079a2d5d-3b05-4c09-b354-a5b15db4f10e","1835614e-c2d2-43b8-b30e-afd78f7bd361","Anthropocene textile art, insect embroidery, eco-art, multicolor and metallic threads, Coco Brun","Research",{"id":75,"file":76,"width":33,"height":15,"alt":77,"caption":78,"credit":10},"53458132-93df-47ec-9aff-b9c16558e96e","51b19bd6-b8cd-41f5-905b-c2b7ad1f9f1f","Upcycling eco-art work in progress, Mexico artist residency, Coco Brun","Artist residency",{"id":80,"file":81,"width":15,"height":82,"alt":83,"caption":84,"credit":10},"156c06f6-e772-49f5-8e42-ff866bc17e9e","d78b71f6-7c3e-43c9-9420-5d9f9bb9a084",660,"Research materials for insect-inspired waste art residency project","Research material",{"id":86,"file":87,"width":33,"height":15,"alt":88,"caption":89,"credit":10},"709df30e-39d2-4834-9342-8615a90368c5","d04d2ac3-bcfd-4f7f-88a4-51fad349593c","Textile fiber art studio, artist residency, Coco Brun","Studio",{"id":91,"file":92,"width":15,"height":33,"alt":93,"caption":94,"credit":10},"c54b2605-bdc4-4d7d-8ad9-a723696ca4b3","513acea5-ca8a-4fae-848f-8c15856722a3","Exhibition view at ZonaMaco Mexico with textile and geological artworks","Exhibition view",{"id":96,"file":97,"width":98,"height":15,"alt":99,"caption":100,"credit":10},"5a70b90e-dc6d-4c1a-87df-6ef715406874","b548a00e-96e2-4297-a92b-ca8ef9f33b72",750,"Work in progress, embroidery on woven industrial waste, Casa Lu artist residency, Mexico, Coco Brun","Work in progress",{"id":102,"file":103,"width":98,"height":15,"alt":104,"caption":105,"credit":10},"b14b35fb-e03c-46c4-a059-12316941f0e0","5b5edc3d-5c25-4478-bc0d-443d70235658","Crystal and glass sculpture work in progress at art residency","Art residency",{"id":107,"file":108,"width":15,"height":33,"alt":109,"caption":110,"credit":10},"46bcb612-f626-47e6-8fce-052d1fc94161","66e3b7d6-a483-4d02-847a-4980417a8ed1","Assembly process with marble elements, Sten Studio, sculpture for art fair, Coco Brun","Process assembly",{"id":112,"file":113,"width":33,"height":15,"alt":114,"caption":115,"credit":10},"c8577c34-0a7f-4660-bc52-dfbc555d50d3","8a6f6d6f-fac0-40b0-b05a-daef560370ce","Small embroidered Mediterranean landscape textile with textures, organic frame with rock-like contours, Coco Brun, contemporary art","Detail",{"id":117,"file":118,"width":15,"height":33,"alt":119,"caption":105,"credit":10},"600001d2-428c-486b-826e-6329732cfe94","f51380ee-aa84-4491-a267-944bd3b2eaf9","Artist residency studio at the French Institute in Mexico, IFAL, Mobilier National, research grant, Coco Brun",{"id":121,"file":122,"width":98,"height":15,"alt":123,"caption":100,"credit":10},"917eb700-d83a-4008-9a21-d415d8614f64","9edd09d4-4387-44f1-9519-290629f9fe00","Glass blowing collaboration with artisan Diego in Oaxaca",{"id":125,"file":126,"width":15,"height":98,"alt":127,"caption":128,"credit":10},"5f529695-8dad-4d70-96bc-759f8c2f5709","3283b26c-d2f2-49c2-9334-4c631e6b0bd6","Glass cocoon sculpture created in collaboration with Oaxaca glass artisan","Glass cocoon",{"id":130,"file":131,"width":98,"height":15,"alt":132,"caption":100,"credit":10},"079f871c-6af0-49c3-9e2b-c01357905e8a","98e49bd5-ef0a-440a-b771-03c74b8fc720","Studio work on metal panel, silver mineral, Anthropocene, Coco Brun, contemporary art",{"id":134,"file":135,"width":136,"height":15,"alt":137,"caption":94,"credit":10},"be280c61-e163-4991-bb16-d2ef92fa0a00","1dd157a2-1806-47df-9245-0b80caf669b0",644,"Exhibition view with upcycled material sculptures at Como Lake Festival","Coco Brun | Environmental Installation Artist & Field Researcher","Coco Brun artist-researcher in eco-art archiving Anthropocene mutations through matter, scent and the memory of places. Field specimens.",[20,21,22,23]]